by Viviana Iacob at the IFTR Conference 2017: Unstable Geographies, Multiple Theatricalities, Universidade de São Paulo, 10-14 July, 2017.
In 1961 The Lost Letter, a play by Romanian classic Ion Luca Caragiale opened in Tokyo. This was the height of Cold War, thus making connections between a socialist country and Imperial Japan an interesting case in trans-ideological spatiality and performance. The event was not an isolated one. This play held a center role in the Romanian socialist cultural policy program which internationalized itself through theatre. Its production history outside the Iron Curtain begins in 1955 and by 1962 the play was performed by theatre troupes and companies in Finland, Belgium, Italy, Switzerland, Argentina, Peru, Uruguay and Japan.
The 1962 Caragiale celebration is in fact the end point of a theatre diplomacy project that started in the early 1950s and entailed translating The Lost Letter in 15 languages, touring with it and staging it in 12 countries.
The production history of this play beyond national borders shows a network of people that strived for cross-cultural communication even when there were no official diplomatic ties to speak of. It reveals the difficulties entailed by the process of exporting a socialist cultural product and by extension of a different understanding of theatricality to dissimilar cultural milieus.
The paper focuses on the routes and connections found by Romanian cultural officials and theatre artists into different national contexts and the instruments they used in order to promote the idea of Romanian theatre as the expression of a socialist culture worldwide.