by Viviana Iacob
Originally published in Romanian > “Teatralitate şi realism socialist în teatrul românesc, 1946-1963”, Studii şi Materiale de Istorie Contemporană, vol. 15/2016.
The article aims to show that when theatricality resurfaced in Romanian theatre debates after 1956, it did not replace the tenets of socialist realism altogether. It was rather a catalyst for the later to evolve into a more sustainable ideological construct in the context of de-Stalinization. The years after Stalin’s death produce in Eastern Europe tremendous changes culminating with the explosive ideological situation of 1956. At a cultural level, these changes unleashed important transformations without displacing however the socialist bedrock. The interwar debates dedicated to the burgeoning issue of theatricality and the western theatre tradition were still filtered through aesthetic coordinates that were put in place during the Stalinist period. The article focuses on debates generated around specific performances which premiered between 1946 and 1963. These events reshaped the socialist realist aesthetic by way of theatricality resulting in a reciprocally corrosive relationship in the following years. The article concludes that the recalibration of the socialist realist formula amounted to a selective process of appropriation that was done both laterally and diachronically. This approach engendered a new form of theatricality. Not a replacement of old socialist realist theatre aestetic but its refashioning.
by Raluca Grosescu and Agata Fijalkowski
Chapter in Lavinia Stan, Lucian Turcescu (eds.), Justice, Memory and Redress: New Insights from Romania (Cambridge: Cambridge Scholars, 2017), pp. 100-123.
This chapter explores the relationship between legal culture and retrospective justice in transition, in post-1989 Bulgaria, Germany and Romania. It analyses the different legal narratives that framed trials regarding state crimes committed under communist rule. It specifically focuses on those cases where the application of retroactive law was necessary in order to prosecute, namely: the Bulgarian Lovech camp trial; the German Border Guards’ trials; and the Romanian cases concerning political crimes committed in the 1950s. Most of the scholarship on post-communist transitional justice has emphasised the nature of the communist regime, the exit from dictatorship, or the party struggle for political power during transition as the main determinants that influenced judicial accountability after 1989. We argue that the legal culture, in particular, the judiciary’s understanding of legal formalism and international human rights law, is another important determinant, generally overlooked by the literature. The chapter first considers the evolution of legal ideology since World War II in Romania, Bulgaria, and Germany. It then analyses the legal debates on the application of retrospective accountability after 1989. It concludes that the different approaches to retrospective justice were strongly influenced by the dominant culture of legal experts.
by Viviana Iacob
at New Europe College, Bucharest, 9 November, 2016.
The presentation focused on mapping the history of the International Theatre Institute and its impact on Romanian cultural diplomacy during the Cold War. The narrative revolved around two main events while also fleshing out their prehistory as it was relevant to Romania’s involvement with I.T.I. between 1959 and 1964.
The first was the participation at the 8th I.T.I. Congress in Helsinki in 1959. Romania’s I.T.I. membership was presented on the background of previous interactions between theatre practitioners and policy makers with I.T.I. – e.g., the participation at the Third Festival of Dramatic Art in Paris in 1956, the forerunner of the Theatre of Nations Festival.
The second was the 1964 Bucharest symposium on the professional training of the actor, the first I.T.I. event organized in Romania. The members of 24 I.T.I. centres around the world discussed approaches on improvisation exemplified by Romanian, American and Italian students. The symposium proved the willingness of theatre practitioners to achieve a common ground for consolidating the transfer of knowledge through the Iron Curtain.
Between April 26 and 28 in Timișoara, Bogdan C. Iacob participated at the workshop entitled “Romanians in Diaspora and Diaspora in Romania. Similarities and Differences in Academic Cereers” organized by New Europe College within the conference “Diaspora in Romanian Scientific Research and Higher Education.” At the event, Bogdan presented the project „Turning Global” and discussed with the other participants potential recommendations concerning Romania’s higher education policies and strategy for developing academic research.
Click here for further details on the NEC Workshop at the conference in Timisoara.
Click here for the program of the workshop.
A seminar by Corina Doboș
at New Europe College, Bucharest, March 9, 2016
My research explores the emergence of a scientific network that contributed to the transfer of demographic knowledge across Europe. I will focus on the academic exchanges between French and East-European demographers, pointing out the common concerns and solutions proposed. I will sketch the dialogue between population specialists responding to similar challenges and looking for possible common solutions, with a focus on the East European participation to the configuration of a continental demography beyond the Iron Curtain divide during the 1960s and 1970s.
by Corina Doboș, at 1989 after 1989: Experts, Globalisation and Transformation in Late and Post-Socialism Workshop, 6-7 November 2015, University of Exeter.